Saturday, May 26, 2012

Daisies

There are elements of this painting I did yesterday that I am happy with.  The eucalyptus leaves on the table need work.  I will probably continue to refine them once the paint sets up.  I think I like the dasies and the vase.


Daisies
9" x 12"
oil on masonite panel

Thursday, May 24, 2012

Pear Martini
8" x 10" 
Oil on Masonite Panel

Tuesday, May 22, 2012



Pansies
8" x 10" 
oil on masonite panel

Wednesday, May 16, 2012

Paint a Football in Dubai



One can paint anywhere, at any time.   This 5" x 7" football painting was just completed in my hotel room in Dubai, UAE.


Thursday, May 10, 2012

Oopsie


Oopsie
40" x 30" oil on canvas

Oopsie will be donated to The Center for Great Apes (www.centerforgreatapes.org) to be auctioned off to benefit the more than 40 chimpanzees and orangutans living out their lives in this wonderful sanctuary.   Smaller, limited edition signed and numbered high quality giclee prints on canvas will be available in the near future.  All proceeds will go to benefit the center.

Wednesday, April 25, 2012

Teton Study



16" x 20" oil on canvas 
Tetons Study after Jim Wilcox

Tuesday, April 24, 2012

Plein Air Today - CB Smith Park, Cooper City, FL


Like fishing, even a bad day plein air painting is better than a good day at work.







Saturday, March 31, 2012

Thursday, March 29, 2012


SACRE BLEU
A Comedy D'Art

A novel by Christopher Moore



Best selling novelist Christopher Moore is at the top of his game. With seven national best-selling novels under his belt, the author of LAMB and FOOL spins another tale destined to become a classic. Anyone with a sense of humor will enjoy his latest, SACRE BLEU. It's only that much better for the reader with a passion for painting, the Impressionists, and art in general. Did I mention that anyone with a sense of humor will love this story?

In this, his thirteenth novel, Moore explores one of his greatest personal passions--art history--with a focus on and around the 19th century impressionists. SACRE BLEU (April 2012, Harper Collins) delivers a mysterious and magical journey through a period that painters such as we could only dream of visiting. As of this writing, time travel is still considered too risky, so for us, Moore's novel may be just the ticket. Be forewarned: SACRE BLEU is not for everyone. If you don't like to laugh out loud, if you don't believe that Manet, Gauguin, Seurat, Monet, Pissarro and Renoir were cool to hang around with, or if you still believe that Van Gogh shot himself, then this book may not be for you. If you want to fall in love with the real Henri Toulouse-Lautrec, horn-dog that he was, SACRE BLEU is for you. SACRE BLEU is a love story, love for the passion of art and painting and of the never-ending search for a muse. It is about the passion of what many consider to be the most beautiful of pigments, ultramarine blue, originally acquired from the semi-precious stone, Lapis Lazuli. It is about the trouble that passion can bring. It is, above all, the story of a French baker, Lucien Lessard, who struggles to paint, to love, and to unravel one of the greatest and most dangerous mysteries in art historyÑthe mystery of blue.

My enthusiasm for SACRE BLEU runs deep, for it was in essence the birth of this novel that led to my becoming a plein air painter. I am hopeful that a whole new cadre of Moore's readers will gain, from reading this novel, the spark that touched me and that they may eventually even pick up a brush. During the Summer of 2008, my wife and I were visiting with Chris Moore and his wife at their home in San Francisco. 

Chris had set up a small studio and was learning to paint, or as he put it, to "push color around on the canvas. He was researching SACRE BLEU and wanted to acquire an understanding of what his characters experienced when they were painting. For several days we spent many hours discussing the book. But even more intriguing to me was Chris's depth of knowledge about art history and his unbridled passion for the subject. Just listening to him was exciting, and that excitement, combined with the comic element in his paintings, made me want to pick up a brush. He inspired me, though I wondered if at forty-eight it was too late to get started and to be able to accomplish anything serious. I wondered out loud if a person needed to be born with innate ability to be a decent artist. Chris told me to stop whining, handed me a couple of instructional DVDs, and said, "Buy some paint and have fun."  He pushed me out the door and that was that.

Thanks to Christopher Moore and SACRE BLEU, my painting life had begun. This novel will always hold a tremendous amount of magic for me. I hope it will inspire both accomplished and novice painters to believe in the magic that we have all felt when squeezing out the sweet, translucent blue as we lay it down on the palette, or when we pull our brush through the pigment rich linseed oil. 

When you read SACRE BLEU, I hope that you will feel the tenderness and love that Chris has for the characters, the artists, and the art --albeit with some hardcore comic perspective--because I can tell you, it is real. I believe you will understand his passion for our art. As you read, think of the smell of a fresh oil painting as it dries, or better yet, read it in your studio and let the smell envelop you. Hold a number 8 flat bristle in your hand as Henri Tolouse-Lautrec charms you. Or read SACRE BLEU en plein air in the Spring grass and let your imagination drift, as the sun goes down laying yellow-green light, and wonder how you'd mix the colors. Look at the sky. Do you see the ultramarine, the Sacred Blue?  You do?  Then you're a romantic, an artist, and the magic of SACRE BLEU will delight you. And even if you're not, SACRE BLUE is one hell of a fun read.


      Garry Kravit is a reader of Plein Air Magazine and a painter since 2008. Garry flies the Boeing 777 as a captain for United Airlines to pay for his color, brushes, and linen.

Thursday, March 22, 2012

Royal Bonn Vase with Rose and Grapes

This painting's subject is a Royal Bonn Vase.  When my wife and I were in college she bought it for almost nothing at an auction in Micanopy, Florida, just south of the University of Florida in Gainesville.  Micanopy is famous for two things; world class sinsemilla, and it's also a former home of River and Joaquin Phoenix.

The Subject Still Life

In progress

Royal Bonn Vase with Rose and Grapes
8" x 10" 
oil on canvas panel



Saturday, March 17, 2012

Pitcher and Clementine

5" x 7" 
oil on linen panel

Thursday, March 15, 2012

Roses


Roses
8" x 8"
oil on linen panel

Monday, March 12, 2012

Brooklyn Bridge Nocturne


Brooklyn Bridge Nocturne after Hall Groat
9" x 12" 
oil on canvas board

Saturday, March 10, 2012

Plein Air - Treetops Park, Davie, FL

It's good to get back to the easel.  I spent a few hours outside this morning at Treetops Park in Davie, FL.




This was the subject

The finished painting.  TreeTops - 9" x 12", oil on canvas panel


Tuesday, March 6, 2012

The Mahogany Easel

I guess I'm in the easel building business now:  www.garrykravit.com/easels.htm

This is the mahogany easel I just completed.   It's solid mahogany, red oak and maple.

This easel is available for purchase:







Monday, March 5, 2012

NEW EASEL

Several weeks ago I built this easel.   I am very happy with it but feel that it was a little too big for my studio so I sold it and am in the process of building a new easel.  This easel is made of red oak, the new easel will be mahogany.

Monday, January 9, 2012

Fairchild Tropical Gardens PLEIN AIR

I was privileged to get to paint with Morgan Samuel Price at Fairchild Tropical Gardens on Saturday and Sunday this week.  I am new to plein air painting and is, so far, the most difficult thing I've done.  We got to paint on two incredible cool and clear South Florida days.  The Fairchild staff were welcoming and wonderful and I would suggest that anyone who wants to paint, or just visit a beautiful place, visit the gardens.   I'm pleased with these paintings in terms of pochade color sketches but realize how much there is to learn.  


My sincere appreciation to Morgan for her patience, advice, mentorship, and friendship.

 This is the lake view that we painted on Sunday



 This is my attempt at the lake view.  9" x 12" oil on linen panel



 This is Morgan's fantastic version of the lake view.  16" x 20" oil on linen panel


Morgan and me



Morgan's painting of a beautiful trellis walkway.  16" x 20" oil on linen panel


My attempt at the trellis walkway   9" x 12" oil on linen panel

Friday, January 6, 2012

Latest Artists, Humananswers.net

I am honored that Humananswers.net has chosen to highlight my work as an artist:


 http://humanswers.net/newartists



Friday, October 14, 2011

Wednesday, October 12, 2011

Onions & Vase

Onionsand vase
9" x 12" oil on MDF board

Sunday, October 2, 2011

Fall Pear

9" x 12" oil on board

Orange and Grapes with China Bowl

9" x 12" oil on MDF board

Thursday, September 15, 2011

High Country

12 x 16, oil on canvas board

Friday, September 2, 2011

You're Gonna' Need a Napkin


You're Gonna Need a Napkin
11" x 14"
oil on canvas board

Monday, August 29, 2011

Pear

Pear
8" x 10"
oil on canvas board

Sunday, August 28, 2011

Pitcher with Grapes after Groat

Pitcher with Grapes after Groat
8" x 8", oil on canvas board

Saturday, August 6, 2011

Thursday, August 4, 2011

Morgan's Garden


8" x 10" oil on linen panel

Sunday, July 31, 2011

Apples in North Carolina

 8" x 10" oil on canvas board


Sunday, April 17, 2011

Sonoran Desert


14 x 18 oil on canvas
after Matt Smith's Sonoran Desert

Saturday, April 9, 2011

Saturday, April 2, 2011

Pongo

The Center for Great Apes in Wachula, Florida was established by Patti Ragan in 1992 to give former Hollywood, biomedical research, and privately owned orangutans and chimpanzees an appropriate and enriching habitat. Patti started with an orphaned baby orangutan named Pongo and today has 44 apes, including Michael Jackson’s chimpanzee, Bubbles, the twins who starred in the popular Trunk Money commercials, and many other Hollywood apes. The center is a non-profit organization relying solely on private donations to give the animals a peaceful, nurturing environment. The facility is not open to the public, it is not a tourist attraction. It’s about the apes.


Karen and I were invited to bring the Pongo I did up to the center. We were privileged to spend the night on the property in a cabin. This morning Patti gave us a tour of the facility which culminated in a private audience with Pongo who received the painting. He seemed genuinely interested and spent quite a long while examining it. The painting will be auctioned off to benefit the center something in the near future. Also to benefit the center, 100 16” x 20” signed and numbered limited edition giclee prints will be available. If you would like to help the center with a charitable donation of $100 and own a high quality giclee print, please let me know.



Pongo 
38" x 32", oil on linen